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Viewing 15 posts - 1 through 15 (of 338 total)
    • 8 December 2025 at 7:15 am #501190

      >> I will have a new MacBook in a couple of days, so I need to transfer license to that new hardware anyhow, right?

      You can already move your license to a new machine buy first deactivating on the old machine then installing and activating as usual on the new machine.

      Regards,
      EA Support

        7 December 2025 at 6:32 pm #501188

        >> I’m using 16000 Taps with a 8000 Tap Delay with a 48kHz Measurement and FIR export.

        I’m curious – what processor are you using that can run 16000 tap filters?

        >> So, Group Delay is expected at 166,66 ms.

        Yes, assuming you are designing linear-phase filters. Note, FIR Designer can design arbitrary phase filters where the group delay can vary.

        >> But I can’t use greater values than 100 ms in the GD plot window. Is there any solution to evaluate GD with filter Delays >100 ms?

        Noted. It’s an arbitrary limit on the line edit box. We’ll raise the limit in the next update.

        >> Second question is in regards of a lifetime license as an upgrade to my actual annual license fee?

        See https://eclipseaudio.com/upgrades/

        We can provide you with a discount coupon, towards FIR Designer M (Perpetual), equivalent to the value of the remaining months on your current annual subscription. Note: with a perpetual license the features are frozen at the version you purchase (e.g. 4.6). If you would like to proceed, email us at info (at) our website and we will arrange the coupon. (Your subscription license will be disabled after upgrading.)

        Regards,
        EA Support

          6 December 2025 at 9:08 am #501185

          Never mind. We’ve found the problem in the Windows build. A fix will be out within 24 hours.

          Regards,
          EA Support

            6 December 2025 at 8:13 am #501184

            Sorry, we can’t replicate the problem here. Are you on Windows or macOS? Can you email your system file and your WAV file to info (at) our website name?

            Regards,
            EA Support

              6 December 2025 at 8:04 am #501183

              Thank for reporting. We’ll get right on it.

              Regards,
              EA Support

                12 November 2025 at 8:06 pm #501178

                Since you will need to set 96 kHz delay in the miniDSP for the tweeter channel, uncheck “FIR output sample rate” on both channels and change the sample rates on the Setup tab to 96 kHz.

                >> Also I’m sending you the FDS file by email so you can see how I’ve set up all the changes we’ve discussed so far.

                The “FIR Phase Adjust” tab for the Tweeter has the 2nd filter (near 19 kHz) boosting. Change this to a cut, to meet the upper plot phase.

                Also, on the Export tab for the Woofer channel, on the middle plot, check “Show FIR filtered loudspeaker” and notice how the response below about 300 Hz doesn’t closely match the ideal filter (before windowing to a filter length of 1700 samples). You could try using IIR filters to help in this frequency region; assuming your miniDSP can also load IIR filters.

                Regards,
                EA Support

                • This reply was modified 1 month ago by EA Support.
                  7 November 2025 at 9:18 pm #501176

                  Quarter sample delay is only available on the Import tab for import alignment purposes in the design process. Quarter sample delay is not available on the G/P/D tab because processors implement whole (integer) sample delay. Processors cannot do delay by fractions of a sample.

                    7 November 2025 at 12:51 pm #501174

                    Use the + – buttons to move the delay by 0.25 of a sample.

                    >> Also I don’t understand why in import tab delay is negative number

                    The -4.25 samples is on both channels, so their time relationship is retained. Moving both negative in time just gets their phase into a range that is easier to work. (This delay is not important for the miniDSP.)

                    >> while in gain/polarity/delay tab it is positive number.

                    The positive sample delay on the gain/polarity/delay tab is delay ONLY on the tweeter. It moves the tweeter phase to better match the woofer phase in frequency region of the crossover filter. This delay is added with the “FIR alignment delay” to give the “Total Processor Delay” — see the system Export tab. The “Total Processor Delay” is the delay that needs to be set on each channel in the miniDSP, to ensure your overall design works. On the example I gave you, channel 1 – the tweeter – needs 7.3958 ms and the woofer 0 ms. But these numbers may be different since you have changes the channels to 96 kHz and likely adjust the FIR filter sizes.

                      6 November 2025 at 5:27 am #501172

                      You said the miniDSP runs operates at 96 kHz and you have FIR Designer set to 48 kHz. When a filter is designed at a sample rate of 48 kHz (which you have set in FIR Designer), then actually run at 96 kHz (which the miniDSP operates at), the EQ response of the filter will appear at double frequency – which you confirmed in the statement “I have a 2 kHz crossover in FIR Designer, but it appears at 4 kHz on the miniDSP.”

                      You need to change the FIR Designer channels to be 96 kHz, so that the exported filter sample rate matches the miniDSP.

                      Regards,
                      EA Support

                        5 November 2025 at 12:40 pm #501170

                        It’s most likely caused by the FIR Designer channel sample rate not matching the sample rate of the miniDSP. For example, if the miniDSP runs at 48 kHz, but the FIR Designer channel is set to 96 kHz, then a crossover in the FIR filter will appear at half the frequency. Similarly if the miniDSP runs at 96 kHz and the FIR Designer channel is set to 48 kHz, then a crossover in the FIR filter appear at double the intended frequency.

                        Regards,
                        EA Support

                          29 October 2025 at 8:44 pm #501168

                          >> When I loaded the FDS file into my FIR Designer M, I received the following message:…

                          You have version 4.3.15 and the latest is 4.5. To update, ensure “Check for update at program start” is checked in Preferences, then restart FIR Designer M and watch for the Update window.

                          >> I noticed that you used a Cosine tapered window. Is there perhaps some another window
                          >> type that could produce a more pleasant, warmer sound

                          Factors other than the window have much more effect on the perceived warmth of the sound, such as the target response, using single measurements instead of spatially averaging measurements, and the amount of fine EQ. A “flat” target response is often perceived as too bright and harsh, and this can be changed on the System Target tab by adding slopes on the “Curve” tab. Fine EQ – such as with the 12th octave smoothing on the Auto Mag and Auto Phase tabs – may also have an impact. Try changing the smoothing to 1/6th or 1/3rd.

                          >> something that reduces the metallic character and minimizes ringing as much as possible?

                          Perceptable pre-ringing can be an artifact of trying to make the processed loudspeaker linear-phase, since the FIR filter can have significant taps before the FIR filter peak. However I’d suggest first experimenting with spatial averaging and using a System Target that has some roll-off towards higher frequencies.

                          Respectfully, most of these questions relate to best practices for loudspeaker tuning, which is beyond the scope of our support. We can explain how to achieve your goals using our software, but the goals themselves are completely for you to decide, either from other learning or experimentation. We don’t advocate for specific tuning approaches.

                          Regards,
                          EA Support

                            26 October 2025 at 3:21 am #501166

                            Hi Tohimir,

                            The Auto Mag problem you are seeing is because the channel target responses are flat; each channel has a crossover filter set on the Mag Adjust tab but the Auto Mag is trying to push the channel back to flat. If you set crossover filters on the channel targets, the Auto Mag will then push each channel towards the intended crossover target response.

                            I have sent you an updated FDS file. Please study how every tab is set. The settings are not the only way to set up a 2-way, but they show you what is possible. These methods are in the videos and tutorials available on our website.

                            Regards,
                            EA Support

                              17 October 2025 at 1:34 pm #501161

                              We have many ‘FIR Designer M’ users, but this is the first time we’ve heard about problems with those specific export buttons.

                                16 October 2025 at 12:14 pm #501158

                                Thanks Olli.

                                We have replicated the problem. What’s happening is that the first channel to be saved is the current channel you have selected in the ‘Channels’ ‘Edit Channel” drop down. For example, if ‘Edit channel’ is set to channel 3, the first channel FIR file to be saved actually contains data for channel 3 instead of channel 1. The other files, for channels 2 to 6, are correct.

                                We will have a fix in the next ‘FIR Designer M’ release. In the meantime, set ‘Edit Channel” to 1 before pressing “Save FIR’s” or “Save FIR’s + Summary”.

                                Regards,
                                EA Support

                                  8 October 2025 at 5:38 am #501151

                                  Hi Olli,

                                  AuditionDSP (like any other audio software on macOS) talks to the hardware through Apple’s CoreAudio software layer and through the hardware manufacturer’s device driver (if the hardware requires it). So AuditionDSP can’t “kill” the hardware.

                                  I’d suggest ensuring the DAC8 is running the latest firmware and googling audio problems with macOS Sequoia. Also, I found this thread on Audio Science Review where a user had to hard reset the Okta DAC8 to get it functioning again.
                                  https://www.audiosciencereview.com/forum/index.php?threads/okto-dac8-update-with-dsp.54196/page-3

                                  Regards,
                                  EA Support

                                Viewing 15 posts - 1 through 15 (of 338 total)